France
Apolonia Apolonia manages to paint a fairly engaging portrait of an artist discovering the intimate balance between success and her freedoms as an artist.
The intense, empathetic storytelling of Inshallah A Boy will keep you emotionally invested up until the very last frame.
While The Crime is Mine doesn’t reach the lofty heights of the classic comedies that influenced it, it’s all too easy to enjoy such a screwball vision.
Love Actually is as heartwarming as it is quotable – the experience of love and joy a permanent staple each and every year.
From New York Film Festival, Lee Jutton reviews La Chimera and About Dry Grasses!
Science fiction is a lot harder than it looks. On one end, the writers and…
The Origin of Evil is a slow-burning, deliciously dark, and comical thriller with layers to savor.
Eyes Without a Face packs some surprises that hold even in the face of time.
Throw in an informative booklet with an essay by Eric Le Roy and Early Short Films of the French New Wave is truly a must-own.
While Blue is the Warmest Color was universally lauded, the film drew controversy over its graphic sex scenes and intense directorial methods.
While Perfect Days is minimalistic and quiet, almost to a fault, Les Indésirables is a bombastic cinematic experience.
Madeleine Collins proves that Virginie Efira belongs to that elite tier of actresses capable of elevating even the most mediocre material.
King On Screen is one hell of a trip down Stephen King cinema memory lane.
The Descent: Part 2 falls within the overflowing pot of sequels made for the sake of making a sequel.
For those with a nihilistic sensibility, there will be solace in the nothingness that comes from Smoking Causes Coughing.