France
Grímur Hákonarson’s The County follows an Icelandic widowed farmer as she fights beauracratic corruption and injustice.
While Spring Blossom shows potential, especially in Lindon’s acting and directing, the script here falls flat.
Shannon Walsh’s documentary: The Gig is Up, paints a simmering, sobering picture of the global gig economy.
With About Endlessness, Roy Andersson once again weaves together short vignettes that uncover the intricacy and vulnerability of the human condition.
A detailed review of Olivier Assayas 1996 film Irma Vep the Criterion edition that includes audio, video, and special features.
The Queerly Ever After column celebrates its 50th entry with Christophe Honoré’s 2007 film Love Songs (Les Chansons D’Amour).
While Keep an Eye Out feels more like an extended comedy sketch than a feature film, it is definitely entertaining.
Xavier Beauvois’ Albatros starts off as a low-key police procedural drama before transforming into a generic meditation on guilt and grief.
Petite Maman, all in all, shows Sciamma at her most profound and mature. Grab a tissue and prepare your heart if you’re going to see this.
With a beautiful 2K restoration, a great audio track, and an incredible selection of supplements, this is absolutely worthy of addition to any collection.
While on the outside it seems like Memory Box tells a familiar story, it’s an introspective, affecting, and visually inventive film.
Full of unfunny human characters and a plot that doesn’t even involve its iconic animal characters, Tom & Jerry is a gross miscalculation.
Pleasure is a film that can be difficult to watch, but is so mesmerizing that it can also be hard to look away.
In the long tradition of many Oscar submitted-films before it, its a shame to see Two of Us try to do too much.
While it doesn’t give its audience straightforward answers, Echo offers a kind of diagonal empathy that’s refreshing and valuable.