Greece
The film may fall short of capturing the epic nature of The Odyssey, but Ralph Fiennes and Juliette Binoche’s powerful performances elevate it beyond its flaws.
Yorgos Lanthimos’ Kinds of Kindness is smart and funny, uncomfortable, moving, and confusing. It is also beautiful.
Inside was one of those rare gems that I never expect to come across but when I do I like to scream about it from the rooftops.
On some level, it feels like a cinematic equivalent of the anti-establishment political cartoons that were once so pervasive in cultural discourse.
Theo Angelopoulos is an award-winning, visionary director, yet his work is largely unavailable on DVD or streaming.
Despite its humorous undertones, Christos Nikou’s Apples can’t overcome a frustratingly muted and opaque style.
In Crimes of the Future, the horrors and beauty of the human anatomy, both inside and out, are a work of grotesque art and performance.
Presented virtually, Arlin Golden finishes his coverage of the documentaries that premiered at this year’s San Francisco International Film Festival.
As captivating of an examination it is, Monday constantly threatens to lose its audience, its pace and lack of empathy disconnecting.
The Truffle Hunters provides a unique view into a world and an industry many have little knowledge and understanding of, delivered with heart and passion.
Apples is a gritty, subversive take on identity, memory and grief and an outstanding first feature from Greek director Christos Nikou.
Entwined, from director Minos Nikolakakis, succeeds in its story, a slow burn that is hypnotizing, peeking the interest of its viewers.
The idea seemed like the perfect match up. Unfortunately, Tommaso does not live up to the expectation.
We spoke with Pari director Siamak Etemadi about the tone of the film, its lead, and how he expects Western audiences will receive the film.
Pause examines the life of a woman trapped in an unhappy marriage, played with gusto by Stella Fyrogeni. Aaron Berry reviews.