history
The American Western is a worthy way to gaze at the past in reference to our present; seen from the early days of the genre to more recent revisionist entries.
Colette touches on a few of today’s most vital conversations: how society treats women and how society treats those who identify with the LGBTQ+ community.
Making Montgomery Clift reminds us that the legendary actor was a mortal being, fallible but also fiercely independent.
In anticipation of its induction into the Criterion Collection, we look back on A Story From Chikamatsu, a film with with a sharp focus on the social phenomenons of 18th century Japan.
The Guernsey Literary And Potato Peel Pie Society won’t shock or challenge you, but it will give you a sense of easygoing warmth.
Operation Finale is pensive and provocative, but it also feels a desire to thrill viewers remaining limited by its adherence to the spy genre.
We spoke with Sir Ben Kingsley about his latest film Operation Finale, taking on the portrayal of a Nazi official and his continued work to keep the memory of the Holocaust alive.
By bouncing back and forth between too many stories, Calling All Earthlings, while intriguing, doesn’t provide the complete picture of any of them.
The Captain is the kind of project that suffers from an identity crisis, never deciding what it wants to say or how seriously it should take itself.
You don’t have to be Japanese or a country and western music aficionado to cheer on Tomiko Fujiyama, the subject of documentary Made in Japan.
What We Started is not a just documentary about the history of Electronic Dance Music but a metaphor of how the past has shaped the future.
The Color of Pomegranates offers an experience of careful, questioning celebration that combines appreciation of artistic beauty with cognizance of worldly suffering.
Whilst not always smoothly or coherently told through the performances and screenplay, Susu is a slightly confused movie with a distinct point to make.
Certainly a crowd pleaser, Zoo is light and easy, yet lacks a certain depth for its subject matter, despite its talented cast, that will leave you wanting more.
Director Lucrecia Martel’s first film in a decade is an opaque and potentially challenging film that is best appreciated as a purely sensory experience.