horror
From the layers of trauma to the shocking twist ending, Carnival of Souls is a classic cinematic experience best shared with others.
Based on “The Dreams in the Witch House”, Bobby Easley’s 2021 H.P. Lovecraft’s Witch House aims high as it tackles the supernatural.
The Human Centipede trilogy is arguably one of the most infamous horror films of recent decades, spawning a cult fandom of midnight moviegoers.
Film Inquiry spoke with writer/director Robbie Banfitch about the making of his newest film: The Outwaters.
On this Horrific Inquiry, we review the 2008 remake of Prom Night!
Lacking horror and empathy, Abandoned is film that should be just that – abandoned.
Mad God bursts and spews onto the scene in absolutely take-no-prisoners fashion and has steadily placed itself close to the top of the pile as one of the best movies of 2022.
From the 2022 Sydney Film Festival, Alex Lines covers Jean Luc Herbulot’s Saloum and Emin Alper’s Burning Days.
One of my favorite times of the year is coming to a close. While I…
The Stepfather is not the knock-out it wants to be, yet there is a horror within its framework and excellent lead performance.
In her first report from Tribeca Film Festival 2022, Kristy Strouse reviews Family Dinner, Huesera & A Wounded Fawn!
This entry has longer than usual episodes, making this part a deft delivery of the finality of what has been a real significant part of TV life and culture.
In Crimes of the Future, the horrors and beauty of the human anatomy, both inside and out, are a work of grotesque art and performance.
Keeping Company weaves a critical look at society, greed-fueled power and consequence of capitalism while crafting a film that delivers humor and horror.
Urotsukidoji: Legend of the Overfiend begins with all of its cards on the table, from the first scene it shocks and only increases from there.