horror
Blindspots is back with another double dose of horror recommendations!
Last Night in Soho immediately pulls you in with its colorful visuals and strong performances but it lacks the subtlety necessary to be truly impactful.
The warped claustrophobia of Masking Threshold is wholly original, making it one of the best horror films of the year.
Trick ‘r Treat lives up to its reputation taking the traditions of the holiday and wielding them into a horrific tale of lore, murder, and revenge.
House on Haunted Hill is a classic in its own right, exhibiting the ability for horror to remain timeless.
For a first-time director, Kempff had a very stylistically sharp vision for Knocking which is bogged down by an overly meandering tone.
David Gordon Green’s sequel to Halloween, Halloween Kills, is an aggravating, unnecessary, and horribly misguided feature.
If you haven’t had the chance to see this Burton classic, there isn’t a better time than now to embrace the folklore of Sleepy Hollow.
Despite some improvements over the previous film, The Addams Family 2 still feels stuck in the first gear of safe animated adaptations.
In this week’s installment of Horrific Inquiry, we take a look back at George A. Romero’s 1968 masterpiece, Night of the Living Dead.
In the years since its release, Scream has proven itself to be a staple of a genre and an undeniable part of horror cinematic history.
Żuławski channeled his personal heartbreak into primal horror, and the result is a messy, marvelous movie.
And with harvest season upon us, it seemed the perfect time to dive into this critically acclaimed horror classic.
Kristy Strouse gives us her final report from this year’s Toronto International Film Festival with her last four film reviews.