horror
In the latest Away from the Hype, Sean Fallon looks back at the 1980 film, Cannibal Holocaust.
Kindred features impressive performances from all actors, but the script lacks action.
He was an independent filmmaker in the truest sense of the word. The films discussed all showcase Romero’s voice and fearless spirit.
Stephanie Archer presents the best 13 episodes of the Treehouse of Horror series in this epic marathon from The Simpsons.
On a very Spooktacular episode of Blindspots, Jake and Kristy discuss not two, but four horror movies to celebrate the Halloween season!
The originality of I Blame Society is an exquisite example of how quickly the thin line between reality and art can blur.
Jennifer Sheridan talks to Film Inquiry about directing her scriptwriter, working in the snow, and designing a vampire.
Neither horrific nor revelatory, The Last Exorcist brings little new to the well-trod table despite its best of intentions.
Hannibal Rising poses the question about what kinds of monsters we make of ourselves by settling for the aesthetics of political virtue.
While Synchronic is not the deep and pensive film it attempts to be, it is still an enjoyable film that will entertain.
The Old Ways is engaging and horrific, keeping relevant themes in the foreground while entertaining with solid and gruesome scares.
Reviews of Aussie thriller Bloody Hell and the dark comedy Dinner in America, fresh from the inaugral Nightstream film festival.
With strong performances and boldly deliberate pacing, even the odd misstep can’t stop the fact that Rose really packs a punch.
The ghosts and ghouls are fun, but this is ultimately supposed to be an allegory for Taiwanese oppression, and on those grounds, Detention fails.
Mike Flanagan’s The Haunting of Bly Manor once again sees him revisiting an old horror text as a roadmap to explore human emotions.
