horror
The last few years have come with a slew of fantastic horror films, and unfortunately The Turning does not fall into that category.
Despite its modern horror settings, there’s little to sustain anyone who dares dig their teeth into this limp and pale take on the character.
If you see this streaming the next time you are surfing, Get Gone. There are other things to explore.
Underwater isn’t an outright disaster, but it’s not a diamond in the rough, either.
In 2007, director Oren Peli spawned the multi-film, multi-million-earning Paranormal Activity franchise. Nearly thirteen years…
The best moment in this 2020 rendition of The Grudge is when the title card…
V-Wars is a light show that falls into the ranks of YA adaptations that encourage guilty pleasure, yet do not require to much commitment.
The second season of Castle Rock has concluded, and this dynamic anthology series went out on an intriguing note: a whimper more than a boom.
Anyone disappointed in what the remake of Suspiria came out to be would be remiss to pass up In Fabric.
Black Christmas is angry, terrifying, empowering even – all that surrounded with the threatening notes of holiday songs playing in the background and a stalker out to get you.
I See You is a well-crafted head-scratcher even if it doesn’t seem so at first.
The Soska Sisters film Rabid honors the basic premise of David Cronenberg’s original while meticulously crafting an identify of its own.
Michael Frank spoke with writer and director Adam Egypt Mortimer about the mental health, childhood and inspiration for his film Daniel Isn’t Real.
Generic in all the worst ways, Animal Among Us is poorly executed, feeling like a throwback to the worst of mid 2000’s horror.
The Gallows Act II is full of bad jump scares, laughable dialogue and is never very scary. Kevin Lee reviews.