Vidar the Vampire shows the lack of change within the filmmaking community in regards to the portrayal of women on screen and further proves the necessity of the #MeToo movement.
Hover is an expertly crafted horror film focusing on a future almost too close to home. Cleopatra Coleman stands out for her remarkable performance and wonderfully crafted and memorable script.
Whilst not always smoothly or coherently told through the performances and screenplay, Susu is a slightly confused movie with a distinct point to make.
In Darkness could have been an exciting thriller with a complex, well-written female protagonist but it instead ends up being a convoluted and messy misfire.
In Films of The New French Extremity, Alexandra West studies French horror films which are known for graphically brutal depictions of sex and violence.
Just like his earlier short, Hereditary feels like nothing more than a provocation, updating the parental anxieties of Rosemary’s Baby for the modern era — and adding no substantial allegory that makes it feel any deeper than this.
Truth Or Dare has nothing to offer to horror fans with its bland characters and uninspired concept. The only way you should be seeing this movie is on a dare.