India
This month Indian Cinema was full of blockbusters, hits and artistically acclaimed films.
We take a look at Sundance documentaries Kokomo City and Against the Tide!
For a mainstream breakout film, Manjule creates something that has both a heart and mind behind it.
Ponniyin Selvan: Part I is fun and brisk, setting a higher standard for Indian literary adaptations.
All That Breathes captures the noble effort to save the Black Kites, transforming from a humanitarian venture to a broad-scale look.
Stringing together multiple sources and influences, it is a spellbinding dance between Kashmir’s folkloric past and its tumultuous present.
Allow yourself to be transported by the sights and sounds of The Shepherdess and the Seven Songs and be rewarded with a powerful cinematic experience.
An old monk recieves news of his aunt passing away, causing him to reflect on his life and his beliefs in Manav Kaul’s Tathagat.
In Borderlands, six lives have been woven together seamlessly to symbolize the continuum of life and inseparability of human agency.
RK/RKAY is a highly innovative and well-crafted film that demonstrates Rajat Kapoor’s creativity, intellect, and mastery.
Presented virtually, Arlin Golden finishes his coverage of the documentaries that premiered at this year’s San Francisco International Film Festival.
While Godzilla vs. Kong is by far the best installment of this rebooted franchise, the MonsterVerse could still learn a few lessons from its forerunners.
Donkey in a Brahmin Village is deserving of its cult status in Indian cinema as it dared to expose the hideous aspects of religion and society.
Legend of the Berlindale Film Festival, Satyajit Ray’s award-winning 1966 Indian drama The Hero (Nayak) showcases the filmmaker’s talents.