Kenneth Branagh
A Haunting in Venice is a new direction, going for something more creepily claustrophobic, but doesn’t quite nail the landing.
Belgian sleuth Hercule Poirot investigates a murder while attending a Halloween seance at a haunted palazzo in Venice, Italy.
Belfast is a film that will creep into the recesses of your mind, its upbeat music and deeply rooted examination of family and the journey unforgettable.
Death on the Nile is certainly better than his recent films, but it relies too heavily on its director/actor being enamored with his own material.
This year, over a dozen films, sidestepped color in favor of black and white and many are vying for major awards this season.
Film Inquiry is back with 6 more film reviews from days 6-8 of the 2021 London International Film Festival.
A semi-autobiographical film that chronicles the life of a working-class family and their young son’s childhood during the tumult of the late 1960s.
Detective Hercule Poirot investigates the murder of a young heiress aboard a cruise ship on the Nile River.
Unlikely to convert any new fans to the series and even less likely to please old ones, Artemis Fowl is a passionless adaptation.
Artemis Fowl, a young criminal prodigy, hunts down a secret society of fairies to find his missing father.
All Is True fails to really justify itself: it’s a patchwork of ideas that never really coalesces confidently.
November saw the release of three Robert Altman films on Blu-ray: Brewster McCloud, The Gingerbread Man and Gosford Park. We delve into the last two.
Kenneth Branagh and Joss Whedon have each put their unique stamp on Shakespeare’s classic Much Ado About Nothing, and both are essential to the canon.
Though containing some elegant set design and impressive cinematography, Murder on the Orient Express can’t quite intrigue you to the potential that it could’ve, due to underdeveloped characters and an anticlimactic final reveal.
A cold and familiar murder mystery is coming your way as Kenneth Branagh takes a stab at Agatha…
