law enforcement
Bosch is an impressively crafted ensemble show with a wealth of excellent actors that make for an impressive consistency over its six-season run.
Malik Vitthal’s Body Cam is a forbidding tale of revenge that comes at you with speciously righteous fury, and that fury lingers.
When the show digs deep into its examination of masculinity and male emotions, The Sinner remains a standout like no other crime show on TV right now.
Lost Girls is a grim picture that delivers a story that should be known, and for the performances alone, there is reason to check it out.
Pivoting from steely resolve to emotional profundity, the brilliant evolution in its final moments cements The Whistlers as an unconventionally thoughtful experience.
A Danish gay spy thriller? That is based on a real life story? Amanda Jane Stern starts off her investigation into the truth of this story with a review of the film.
Though featuring actors and events you’ve seen before, Mob Town should have been left on the shelves.
For all of its admirable intentions, the film’s flimsy storytelling does a disservice to Seberg’s legacy.
In the wake of Adam McKay’s The Big Short, a flurry of films have attempted…
I See You is a well-crafted head-scratcher even if it doesn’t seem so at first.
Watchmen has hit a little under the halfway point, the pins are being set up and knocked down at the bat of an eye, and it just keeps getting more and more clever every week.
Like the novel that came before it, Watchmen elaborates on its characters’ futures vs their pasts in ways only the author can imagine.
Black And Blue is a surprisingly engaging cop thriller; it has some stellar performances, confident direction, and a sharp story to boot.
Watchmen is a bit of a weird one right now. Looking back on these episodes it seems rather confusing, because that’s just how it is.
Watchmen is looking to be a thrilling and satisfying continuation of the world that changed the world 30 years ago.
