love
Because the two seasons are about two very different ideas of death, these horror elements had to be presented in starkly different fashions.
Frances Maurer spoke with Chyna Robinson, fresh out of her festival circuit, about her latest film No Ordinary Love.
Fleabag portrays love in such a unique, true way that it takes several watchings to fully understand the depth of it. Are love and attention the same thing?
We spoke with Drake Doremus, director of Endings, Beginnings, about the process of the film, what inspires him, and how he’s keeping busy during these strange times.
Why is there an ironic romanticism around doomed romance? What is the reason for this redefining shift within the genre?
Invisible Life is an enchanting experience, one that emphasizes the power of hope in times of helplessness and the importance of love above all else.
We spoke with director Tom Cullen about his film Pink Wall, which is a worthy addition to the relationship drama canon that deserves not to be overlooked at the box office.
While absolutely absurd, See You Soon is as sweet, fluffy and bad for your brain as cotton candy – and yet it’s also weirdly enjoyable for all of those reasons.
Ode to Joy doesn’t really work as either an efficient comedy or drama (or even a bit of both), with the familiar beats and tropes lacking in any real thought.
The Last Summer is a frustratingly empty addition to the coming-of-age sub-genre and might struggle to hold the attention of its intended audience.
With an emotionally moving story and flawless execution in every element, Lost & Found is a sight to behold.
Las Vegas Love Stories is a charming homage to falling in love, with each short inventively embellishing six couples falling in love, whether it be literally or figuratively.
Dusty & Me is a greyhound leap ahead of similar films that have come before but as dog tales go it can’t quite keep the company of classic animal epics – it’s not quite that memorable.
While Snapshots is far from a perfect film, it made with such an admirable degree of earnestness, with so much feeling, that it is easy to overlook the flaws.
We the Animals is an undeniably moving film, but one whose emotional power is curbed by its similarity to other notable US indies of recent years, failing to rise out of the shadows.
