Martin Scorsese
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Killers of the Flower Moon showcases everything one would expect in a Martin Scorsese movie. In this case, it is both a blessing and a curse.
Killers of the Flower Moon is both a faithful adaptation and a masterful epic from Martin Scorsese. It is authentic, respectful, and informative, exuding the talents of those both in front of and behind the screen.
Killers of the Flower Moon isn’t just a historical tale but a profound and subtle commentary on history, humanity, and the power of storytelling.
In the 1920s, members of the Osage Native American tribe are murdered after oil is found on their land, and the FBI decides to investigate.
This time, Jake and Kristy dive into a pair of films from two of the greatest and most quintessentially American filmmakers of all time.
While the Boston movie itself seems to have gone the way of the Western, the appeal of its core themes, and its sensibility seems to remain.
Scorsese’s homage to Federico Fellini is a tribute to an influence who crawled so that Scorsese could walk and a plea to let others run in their wake.
The way in which Goodfellas used witty gangster dialogue, innovative editing technique and creative genre features makes the film a timeless classic.
There are shades of the director’s previous work, but The Irishman is like an amalgamation after decades behind the lens.
Lorna Codrai looks at why 2006 was the most pivotal year of DiCaprio’s career, a year change him from a Prince to King of the World
Reporting from Chicago International Film Festival, Lana Stanczak reviews Components of Love, Jojo Rabbit and The Irishman.
In his first report from the San Diego International Film Festival, Tynan Yanaga covers The Irishman, Doing Money and Inside The Rain.
It is in this moment of burning worlds and a fading hope in humanity that cinema offers its hand. When the most empathetic of mediums loses its patience, it may be time to watch and listen.
In The Irishman, a mob hitman recalls his possible involvement with the slaying of labor union leader Jimmy Hoffa.
