mystery
Ratched returns Murphy to his deliciously horrific TV roots, bringing the origin of an iconic character to life for a new generation.
Stephanie Archer had the opportunity to speak with the Francesco Giannini about his film The Hall.
Heightened by its mirroring of current events, The Hall is an incredibly exhilarating ride you won’t want to get off of.
Overflowing with internal and external conflict, Hans Petter Moland’s Out Stealing Horses is a gently-paced, exceptionally-written, sensory experience.
Disappearance at Clifton Hill is at-times intriguing and often stylish, marred by its cliched insistence on making the audience question the authenticity.
Exit Plan is a slow burn, but since its stakes are the choice of life and death, every moment is filled with empathy and intensity.
Dark demands patience and provoked tempting reflection on fate, it’s final season feeling organic and giving the send-off it deserves.
With a a compelling, chemistry-driven narrative, Palms Springs is refreshing take on the time loop genre and one of the year’s best comedies.
Year of the Rabbit thrives in its beautiful blending of cinematography, music, and script that all come together to create an experience you do not want to miss.
Ju-On: Origins may not reinvent the formula of the franchise, it still has enough stuff to give the audience a terrifying nightmare.
The films of John Singleton have provided thought-provoking stories, honest characters, and imagery that lingers well past each viewing.
As Clay and his friends say good by to Liberty High, so too do we to the relevancy and unrelenting focus of a series unafraid to look away.
Featuring a strong performance by Bill Nighy and not a whole lot else, there isn’t much in Sometimes Always Never to make this film stand out.
Next Door Spy is a timid animated film but may be just enough for the kids come quiet time.
Now available on Mubi, Ghost Town Anthology evokes the presence of a forgotten and bedeviled past buried underneath it.