obsession
The warped claustrophobia of Masking Threshold is wholly original, making it one of the best horror films of the year.
Stephanie Archer had the opportunity to participate in a round table with director Jon Stevenson and cast members Wil Wheaton and Brian Landis Folkins about Rent-A-Pal.
Rent-A-Pal succeeds in recreating its 90s aesthetic as it examines the videotape dating culture of the 1990s in this retro horror film.
We discuss Darren Aronofsky’s Pi, a film about conspiracies and obsessions that is relevant in the modern age.
Even if you admire Deerskin’s audacity, its sudden and puzzling conclusion leaves much to be desired.
The Death and Life of John F. Donovan is far from perfect, but still manages to be a fascinating attempt at exploring sexual identity, isolation and the consequences of fame.
Room For Rent is like the world’s worst filled donut; doughy and undercooked until you get to the sweet, jam-filled middle middle that is Lin Shaye and it’s all worth it again.
Darren Aronofsky has made a career out of provoking his audience with visceral films of addiction, obsession and the imbalance it brings to a character’s mental state.
There’s plenty about Juliet, Naked that isn’t ideal, but it is cozy and predominantly feel-good.
I Used to Be Normal is a heartwarming reaffirmation of the power of fandom, a heartwarming, non-judgemental documentary that’s not just for boyband fans.
In Broadcast Signal Intrusion, a psychological horror short film, a grief-stricken video archivist becomes increasingly obsessed with the meaning behind a sinister television signal hijacking.
Why do we strive for greatness? What pushes someone to practice something over and over, until his hands bleed, until he perfects it? Can this intensity be brought out in all of us?
