Patricia Clarkson

Once A Cop: The End Of Identity In THE PLEDGE
Once A Cop: The End Of Identity In THE PLEDGE

Retirement from the force isn’t just the end of his career — it’s the annihilation of his entire identity.

SELL BY: A Truly Modern Rom-Com You Won’t Want to End

Captivating, heart warming and relatable, Sell By is the rom-com you didn’t realize was missing – and you will be thankful you found.

DELIRIUM: A Good Idea Buried Under Too Many
DELIRIUM: A Good Idea Buried Under Too Many

Delirium is interesting enough to warrant our attention, but ultimately the route to the big “reveal” veers off course.

OUT OF BLUE: An Ambitious but unfocused existential crime thriller
OUT OF BLUE: An Ambitious But Unfocused Existential Crime Thriller

Out of Blue can’t be faulted for its ambitions, but there’s a lack of focus, oscillating wildly between genres and never satisfying as any.

Interview With Carol Morley, Director Of OUT OF BLUE
Interview With Carol Morley, Director Of OUT OF BLUE

Film Inquiry spoke to director Carol Morley about Out of Blue, why she chose to adapt a Martin Amis novel, and why Patricia Clarkson is a gay icon.

JONATHAN: A Subtle But Meaningful Foray
JONATHAN: A Subtle But Meaningful Foray

Jonathan is a rare and affecting fair, as tenuous as life is, especially when there’s a divergence within your own skin.

SHARP OBJECTS “Milk” (S1E8): Outstanding Finale Cements Masterful Miniseries
SHARP OBJECTS “Milk” (S1E8): Outstanding Finale Cements Masterful Miniseries

Sharp Objects’ powerful series finale is a masterful instance of persistent hard work and a careful attention to detail paying off.

SHARP OBJECTS “Falling” (S1E7): It’s Been Worth The Slow-Burn

In “Falling”, Sharp Objects becomes its strongest self, maintaining the fervent atmosphere, visual detail and world-class performances.

SHARP OBJECTS “Cherry” (S1E6): Like The Fruit, A Juicy But Messier Experience
SHARP OBJECTS “Cherry” (S1E6): Like The Fruit, A Juicy But Messier Experience

While there remain more noticeable cracks in the latest two Sharp Objects episodes than the earlier days of the miniseries, it endures well into the sixth hour as an unparalleled and enthralling television experience.

SHARP OBJECTS “Closer” (S1E5): Another Great Episode But Not Without Frustrations
SHARP OBJECTS “Closer” (S1E5): Another Great Episode But Not Without Frustrations

Episode 5 of Sharp Objects, Closer, is the weakest episode of a brilliant bunch but one still packed with fantastic character work and shattering performances.

SHARP OBJECTS “Ripe” (S1E4): Hearts Race As We Hit Series Mid-Point

Some may argue that Ripe, as with the previous three hours, takes the idea of ‘show, don’t tell’ a little too far; but that very concept is what ensures that Sharp Objects is the most compelling piece of work currently on television.

SHARP OBJECTS “Fix” (S1E3): Character Over Plot In Arresting Third Episode

Fix may lose focus of some of its narrative threads but they are never completely out of sight: it is clearly taking its time developing these characters, which will most likely work out best for the series in the long run.

SHARP OBJECTS “Dirt” (S1E2): Another Terrifically Moody Episode

If last week’s series premiere was about laying the table for the consuming mystery, Sharp…

SHARP OBJECTS "Vanish" (S1E1): Strong Season Premiere
SHARP OBJECTS “Vanish” (S1E1): Strong Season Premiere

The first hour of Sharp Objects thrillingly lays the foundations for a series already digging its claws into anything that moves, in one of the strongest season premieres of the television year to date.

THE PARTY: Accept The Invite To Sally Potter's British Black-Comedy
THE PARTY: Accept The Invite To Sally Potter’s British Black Comedy

From the riotous to the poignant, Sally Potter’s The Party taps into the state-of-the-nation with a smart, sharp comedy populated with hilarious characters and brought to life by a truly fantastic cast.