religion
The Golem is closer to a moody thriller than a horror – and although thematically interesting, still lacks the bite it sorely needs.
If you’re searching for a romantic comedy that focuses more on the muddy journey versus a mirage of perfection, Untogether might be the one for you.
Coupled with a brilliant script and outstanding performances by its two leaders, To Dust has already become a standout early on in 2019.
Jinn is a colorful portrait of the complexities in life, love and religion that succeeds as a character study far more than as a plot-driven story.
In this article on film and philosphy, Lance Conley looks at the pessimistic philosphy embedded within raunchy animated comedy Sausage Party.
Boy Erased is a sturdy drama with some touching moments and strong performances, enhanced by much-needed glimpses of dramatic sensitivity within the confines of a tough story.
Gareth Evans delivers another gem with Apostle, and the Blumhouse-produced Cam is a satisfying watch despite its weak payoff.
Australian writer-director Kosta Nikas’ Sacred Heart is a mature, thoughtful, and dramatic piece of filmmaking for a first-time feature director.
With adequate locations and a potentially interesting atmosphere, The Nun creates a darkly lit ordeal that is one silly “nun-sensical” roller coaster ride of jump scares.
Pope Francis: A Man of His Word is a solidly crafted portrait of the Pope with the occasional breathtaking moment, but lacking any new information.
Promise is a terrific short drama that represents another stride forward for director Nev Pierce.
The Miseducation of Cameron Post hits on a topic that is contemporary and significant but it never handles this in a way that feels, for want of a better word, preachy.
Vidar the Vampire shows the lack of change within the filmmaking community in regards to the portrayal of women on screen and further proves the necessity of the #MeToo movement.
Ali’s Wedding is an unabashed presentation of a Muslim love story that feels both brave and necessary.
The adventures of Ms. Marvel aka Kamala Khan are already among Marvel’s highest selling comic book properties – and bringing her story to the big screen would not only be a financial success, but a cultural one, too.