romance
Kristy Strouse shares her third report from the 2021 Toronto International Film Festival with reviews for The Mad Women’s Ball, Out of Sync & I’m Your Man.
Queerly Ever After #60 focuses on Baldvin Zophoníasson’s Icelandic film Jitters, a teen drama filled with first crushes and tragic events.
It Takes Three is an interesting update to the classic teen romantic comedy that finds its strength by diving deep inside every character.
With extremely long scenes, flat lighting, and a meandering story all come together to create this dull, Best Day Ever is a tired movie.
Barley even a movie, Longhorns is just terrible, lacking any redemption – and there really isn’t that much else to say.
Equal parts fantastic and frustrating, Ema soars sky-high but cannot maintain those heights over the course of the film.
Not everyone will be won over by the weirdness of Annette, but for those who are, they will absolutely love it.
It’s not a perfect specimen in filmmaking, but My Sassy Girl is an imperfect exercise in romantic storytelling that can’t help but win you over.
J.C. Calciano’s Is It Just Me? is a gay romantic-comedy of chat rooms, miscommunication and false identity.
Looking at the legacy of Gorō Miyazaki’s best film, From Up On Poppy Hill, which was written by his father, the legendary Hayao Miyazaki.
In rapid succession over the past couple of years, the cinema of Hong Sang-soo has…
For this week’s entry of Queerly Ever After, we take a look at 2002 French TV-movie You’ll Get Over It.
Long Story Short is a pleasing romantic comedy with charming performances and a modern screwball tone.
For this Queerly Ever After, we take a look at the 2012 film Morgan.
In the Heights follows a small corner of individuals as they face gentrification, immigration, and acceptance of self during the summer’s hottest days.