romance
Alex Lines reports back from Alliance Française French Film Festival 2019 where he saw Olivier Assayas’ Non-Fiction – an increasingly rare type of drama.
The Browsing Effect is a movie that may appear shallow at first glance, but gradually reveals more hidden depths when you make the effort to look in further.
Knife + Heart constantly walks the very fine line between a comedy and a true horror. It at times excels at both, but rarely infuses the two into a coherent film.
While Gloria Bell might be almost a carbon copy of 2013’s Gloria, the film demonstrates how much Sebastián Lelio has evolved as a director over the past six years.
While groundbreaking or original, The Aftermath is worth seeing for the enticing performances and striking ambience that it establishes.
While there was not much progression in the narrative in Shadowhunters’ “Beati Bellicosi”, there were epic pieces put into play.
While it’s an indication that the final episode is drawing closer, the end is nigh for Shadowhunters, and it was never as apparent as in “Original Sin”.
Female Human Animal is a unique experiment into pushing the boundaries of what is considered to be fact or fiction.
With the end in sight, there seems to be trouble brewing from every angle for the Shadowhunters in the coming future.
In celebration of Valentine’s Day month, our writers decided to focus on romantic comedies for this staff inquiry. Here are some of our favorites.
The failure of They All Laughed marked the end of the New Hollywood era, but Bogdanovich’s screwball fantasy urgently needs a reevaluation.
Under the Eiffel Tower just doesn’t have the spirit that a rom-com needs, feeling like a first draft that should have never seen the light of day.
Isn’t It Romantic is not a game-changer in the romantic comedy sub-genre, but it’s a proud statement by Wilson that everyone should get behind.
Holiday will linger with you long after the credits roll, forcing you to acknowledge the ways in which you are complicit with the behavior of its characters.
Like Ocean’s Eight before it, What Men Want is proof that it takes more than genderswapping to make something old new again.