romance
That Martin Roumagnac was the only film they ever made together makes it a must-see for any fan, and a wonderful remembrance of their real-life romance.
Whether you’ve read it or not doesn’t matter anyway; the film is about the woman, not her novel- and Emily is a bold introduction to the writer.
Melodramas may look and sound different than their gory counterparts but are often more frightening.
A dreamlike evocation of love and longing on the banks of the titular river running through Shanghai, Lou Ye’s Suzhou River is a landmark film.
While Still the Water feels pleasant, its existential questions are frustratingly left untraversed by its subtlety.
Tender and imaginative, The Pod Generation is elevated by strong performances, humor, and unique world-building.
It confounds and reverberates; The Lobster sings a singularly eccentric tune.
Kompromat is a tense and gloomy character-driven thriller, loosely based on real events, and is an energetic ride that never lets up.
While Your Place or Mine finally brings these two stars together, it fails to truly reach the mark of success.
Chungking Express: the film that will remain young and beautiful until the end of time.
Despite some hiccups, fans of Dolly Parton or Australian comedy will have a good time with Seriously Red.
In the latest report from the 2023 Sundance Film Festival, Kevin L. Lee reviews The Pod Generation and Landscape With Invisible Hand!
In her last Sundance report, Kristy Strouse takes a look at Slow & Sorcery!
In the latest report from the 2023 Sundance Film Festival, Wilson Kwong reviews Sometimes I Think About Dying and A Little Prayer!
Unable to truly lean into its moments and potential for humor and heart, Maybe I Do is a big don’t.