romance
Even with this rushed ending and various bumps in the road, Persuasion proves itself a modest adaptation that, while not the best, is sure to entertain.
While not the worst Thor film, Love & Thunder has a lot of potential in its fantasy adventure but rarely rises to become a worthy sequel.
Combining found footage, family photographs, and Karim Ainouz’s own camerawork, Mariner of the Mountains is a brilliant mix of family history and origins.
The coming-of-age tale presented by Cocoon is not an idealized one that bears no resemblance to real life, but one that feels authentic in its pain and exhilaration.
One of my favorite times of the year is coming to a close. While I…
Hong Sang-soo’s third feature, “Virgin Stripped Bare by Her Bachelors,” was also his last film to be made from a full script.
Urotsukidoji: Legend of the Overfiend begins with all of its cards on the table, from the first scene it shocks and only increases from there.
Hirokazu Kore-eda’s 2009 fantasy-romance Air Doll is an introspective film where a blow-up doll begins to turn into a living woman.
Our Flag Means Death approaches queer content with all of the confidence and normality found in heteronormative culture.
My First Native American Boyfriend is a chance to provide Native audiences a form of catharsis, a chance to have their real-world experiences represented.
The best thing about Adrian Lyne’s Deep Water is that it possesses star power in Ben Affleck and Ana de Armas, two of our hottest actors.
SXSW is now officially wrapped! Here in Kristy Strouse’s final report, we take a look at The Man Who Fell to Earth and two short films!
In my fourth report from SXSW Film Festival 2022 I discuss the romance Stay the Night and horror Bitch Ass.
Pam & Tommy ends on seemingly hopeful note, one that is tainted by the knowledge of the future, as well as a new understanding of the scandal.