science fiction
“Demons of the Punjab” takes us on a trip down a secret memory lane, as Yaz uncovers her grandmother’s hidden past, and the Doctor comes up against some assassin alien invaders.
Overlord is exactly what you would want and expect a movie about zombies created by Nazis to be: a deranged, disgusting delight.
Unfortunately, despite Origin’s good intentions and mysterious manner, it’s simply too derivative and absent of any originality to really recommend an immediate watch.
Electromagnetism. Force. EMF. Have you heard terms like these flying around in sci-fi? Have you wondered how accurately films & TV portray real science?
Much like the characters of Prospect, Christopher Caldwell and Zeek Earl are pioneers, creating a film that feels like the origin of something new.
This week’s episode of Doctor Who, on board a travelling space hospital, the gang come up…
Created by Mark Dennis and Ben Foster, Time Trap is a sci-fi/fantasy that starts with an interesting concept, yet turns into a jumbled mess of its own doing.
Doctor Who’s fourth episode, “Arachnids in the UK”, gives us thrills with mutated spiders and a reminder of the impact humans are having on the planet’s ecosystem.
While the film possesses a level of craft and passion that cannot be ignored, Await Further Instructions is missing something vital: originality.
The Doctor journeys across a dangerous landscape in Episode 2 of the new Doctor Who, saving humans and aliens as she goes.
I Still See You is another entry to the endless array of young adult fare, and it’s a near flop that doesn’t look to be boundary-defying, instead playing it safe.
Jodie Whittaker makes her debut in the first episode of Doctor Who’s 11th season, and she is a force of nature, continuing the Doctor’s quest to protect the Earth from outside attackers and invasions.
We take a look back at the seminal adventure sci-fi series Lost, examining its legacy over a decade after it started.
I Think We’re Alone Now is a beautiful slow burn drama with a beautifully eerie atmosphere and striking performances from Dinklage and Fanning, ruined by an unruly mess of a third act.
The Predator is a brainless, tone deaf picture, that is quite easily the worst thing writer/director Shane Black has ever laid his hands on.