science fiction
Midnight in Paris uses time travel to 1920’s Paris to deal with themes of nostalgia and the fallacy of Golden Age thinking.
We were able to talk with Milda Baginskaite and Martha Binns, director and star respectively, of the short sci-fi drama 7 Planets, about the creative decisions for this film, and the experience of making it.
Sorry to Bother You is the perfect film for this particular moment – a moment that feels defined by the struggles of the ordinary people against traditional structures of power – even if it isn’t a perfect film.
In this part of the Fantasy Science column, we’re diving into the scientific underpinnings of Ant-Man’s power: resizing and going “subatomic”.
An uneven final product with a mess of ideas and images thrown onscreen, The First Purge will sear moments in your mind, leaving you to question whether it was all worth it.
With a clever use of eerie scenery and camera shots, The Endless is a vortex that goes full on wacky, without diluting its purpose, only strengthening it.
It’s hard not to think of Jurassic World: Fallen Kingdom as just a rinse-repeat of nearly every other film in this now 25-year-old franchise.
In this new Fantasy Science, we are revisiting the Fermi Paradox: if there are so many galaxies and planets out there, why haven’t we found evidence of alien life?
Hover is an expertly crafted horror film focusing on a future almost too close to home. Cleopatra Coleman stands out for her remarkable performance and wonderfully crafted and memorable script.
Guest author Brooke Whipple analyzes the representation of gender in Invasion of the Body Snatchers, and how it foreshadows humanity’s destruction.
With a re-release on 70mm, we look back at the sci-fi classic 2001: A Space Odyssey, which continues to astound after 50 years.
Upgrade a gleefully nasty film that relies on a unique mixture of futuristic beautiful landscapes and old-school grindhouse fun.
In this 7th part of the Fantasy Science series, we are going to chat about naturally occurring biological immortality, with the help of movies.
Despite its name, Future World, with its interesting premise and a high-caliber cast, is meant to become a film that’s a part of the past.
Too heavy in its fan service at times, Solo: A Star Wars Story is not a terrible Star Wars entry, with enough fun moments to please.
