science fiction
In the next of our Take Two series, we tackle Cameron Crowe’s Vanilla Sky, which may not be quite as remarkable as initially remembered.
We spoke with filmmakers Peter Stray, Craig Russell and Mark Price about their latest project, the very low budget sci-fi thriller CANARIES.
Andrei Tarkovsky’s Stalker is ripe with philosophical connotations; here, we discuss some of the film’s more prominent ideas.
Film to some is much more than a hobby, but a lifestyle. Sometimes it can…
Though with timely themes and a fine cast/director, The Circle attempts to do too much with its material, instead ending up as lost potential.
Guardians of the Galaxy Vol. 2 pales, in some ways, to its predecessor, yet it has just enough charm and heart to make up for its pitfalls.
We spoke with London-based director James Hughes about his short film THE NOMOPHOBE and the implications of smartphone addiction.
In this Beginner’s Guide we discuss some of Christopher Nolan’s best work to date, his influences and artful filmmaking skills.
In the first of a series for 2017, we take a run-down through the box office potential of several high-profile summer movies.
In this beginner’s guide, we discuss John Carpenter’s work – spanning the duration of his career in skillfully frightening his audience.
Colossal is a fantasy-oriented film about a kaiju monster that somehow manages to be both emotionally effective and profound.
The Fifth Element 20 years later: it’s still the packed with resplendent imagery, inventive art direction, and some well edited set pieces.
The Discovery dabbles in too many genres and never makes a compelling case for any of them, resulting in yet another lackluster Netflix film.
The stale found footage genre is revitalised with ambitious anthology film The Dark Tapes, a stunning directorial debut from Michael McQuown.
Ghost in the Shell is full of visual splendor, yet ultimately lacks the originality or prowess of the original Japanese anime film.