science fiction
John Krasinski’s A Quiet Place Part II fails to live up to the expectations and high standards that the first movie has established.
Travis Knight’s Bumblebee is a surprisingly well-done action film that brings heart and friendship to the Transformer franchise.
Profound, gorgeously shot, and performed, Little Fish is a film that is unforgettable.
The crystal-clear visual spectacle is on full display, making this 4K Ultra HD Blu-Ray of Tenet comes highly recommended.
Jim Dixon sat down to interview with director Vladislav Kozlov and the cast of their upcoming film, Immortalist.
As part of Melbourne’s annual Monster Fest, we got a look at one of the films in the lineup: Brandon Cronenberg’s Possessor.
Genuinely funny and made with a real passion for its heroes, Bill & Ted Face the Music is a most excellent addition to the franchise.
Lake Michigan Monster embraces strangeness as it affectionately homages sci-fi B-movies of the 1950s and silent comedies of the 1920s.
Despite its visual innovations and blockbuster decadence, Tenet finds itself submerged beneath Christopher Nolan’s lofty ambitions.
We spoke with Gavin Rothery, the director of Archive, which explores new territory in sci-fi themes like memory, humanity, loss, and fear of replacement.
Despite a potentially fun premise, Elvis from Outer Space does not quite capture the B-movie joy it appears to be chasing.
Dark demands patience and provoked tempting reflection on fate, it’s final season feeling organic and giving the send-off it deserves.
With a a compelling, chemistry-driven narrative, Palms Springs is refreshing take on the time loop genre and one of the year’s best comedies.
Full of innovation and imagination, The Vast of Night plays to the corners of the human mind that dare to dream and recoil from what we fear.
We go through the career of Alex Garland, and how his films often follow a similar theme of focusing on dystopian worlds.