slasher

THE LAST MATINEE: Colorful And Gory Love Letter To The Slasher
THE LAST MATINEE: Colorful And Gory Love Letter To The Slasher

The Last Matinee is a blood-soaked and nostalgic journey into a bygone era of movie theaters and their unique beauty.

Horrific Inquiry: FREDDY VS. JASON (2003)
Horrific Inquiry: FREDDY VS. JASON (2003)

Sure it doesn’t have the best acting, narrative or even the best effects, but Freddy vs. Jason offers audiences a return to slashers of old.

40 Years Of FRIDAY THE 13TH
40 Years Of FRIDAY THE 13TH

Given this era of social distancing, now would be the ideal time to re-watch the Friday the 13th franchise, or start them for the first time.

BLACK CHRISTMAS: Smashes The Patriarchy With Strong Women
BLACK CHRISTMAS: Smashes The Patriarchy With Strong Women

Black Christmas is angry, terrifying, empowering even – all that surrounded with the threatening notes of holiday songs playing in the background and a stalker out to get you.

Animal Among Us: The Real Monster Was Boredom All Along
ANIMAL AMONG US: The Real Monster Was Boredom All Along

Generic in all the worst ways, Animal Among Us is poorly executed, feeling like a throwback to the worst of mid 2000’s horror.

COUNTDOWN: A Gimmick App Not Worth Installing
COUNTDOWN: A Gimmick App Not Worth Installing

Countdown is not aggressively terrible, but it’s life-threateningly dull.

Serial Killer Cinema: Deadly Depictions

Serial killers depicted in film have taken the industry by storm and became popularized by the audience and their need to question what they know about humanity.

KNIFE + HEART: Wannabe-Edgy, But Ultimately Too Tame French Slasher

Knife + Heart constantly walks the very fine line between a comedy and a true horror. It at times excels at both, but rarely infuses the two into a coherent film.

NEXT OF KIN: Australia's Lost Horror Classic Back from the Dead
NEXT OF KIN: Australia’s Lost Horror Classic Back From The Dead

This Australian horror has languished in obscurity for years, but a new restoration by Second Sight should make it the genre classic it deserves to be.

THE AMITYVILLE MURDERS: A Supernatural, Tasteless Snoozefest
THE AMITYVILLE MURDERS: A Supernatural, Tasteless Snoozefest

The Amityville Murders is a film that should be avoided at all costs. It doesn’t succeed as a horror film, nor as a supernatural thriller.

VELVET BUZZSAW: Final Destination transported to the world of art
VELVET BUZZSAW: Final Destination Transported To The World of Art

Dan Gilroy has stepped out of his comfort zone with satirical horror Velvet Buzzsaw – and the results are mixed, to say the least.

Final Girls Do It Better: From Elm Street To A Vet School In France, How The Final Girl Trope Has Evolved
How The Final Girl Trope Has Evolved: From Elm Street To A Vet School In France

Maria Lattila examines how generic slashers actually hide a hugely empowering element, the Final Girls of horror fulfilling and enabling feminine power and potential.

SCARECROWS: By The Numbers Slasher That Peaks Too Soon
SCARECROWS: By The Numbers Slasher That Peaks Too Soon

Even the creative use of an iconic object of terror doesn’t help to elevate Scarecrows above any other generic slasher.

Monsterfest VII: HELL FEST
Monsterfest VII: HELL FEST

It is a shame when a movie like Hell Fest this is let down by the very reason for its existence – a slasher movie is only as strong as its slasher and the fear that slasher creates.

HALLOWEEN: A Missed Opportunity 40 Years In The Making
HALLOWEEN: A Missed Opportunity 40 Years In The Making

Halloween ends strongly, which always helps, but the picture lacks imagination in too many other areas to have any lasting impact.