Black Christmas is angry, terrifying, empowering even – all that surrounded with the threatening notes of holiday songs playing in the background and a stalker out to get you.
Serial killers depicted in film have taken the industry by storm and became popularized by the audience and their need to question what they know about humanity.
Knife + Heart constantly walks the very fine line between a comedy and a true horror. It at times excels at both, but rarely infuses the two into a coherent film.
This Australian horror has languished in obscurity for years, but a new restoration by Second Sight should make it the genre classic it deserves to be.
Maria Lattila examines how generic slashers actually hide a hugely empowering element, the Final Girls of horror fulfilling and enabling feminine power and potential.
It is a shame when a movie like Hell Fest this is let down by the very reason for its existence – a slasher movie is only as strong as its slasher and the fear that slasher creates.