sound
John Krasinski’s A Quiet Place Part II fails to live up to the expectations and high standards that the first movie has established.
Emily Wheeler takes a look at how Jennifer Kent uses sound in The Nightingale and how it contributes to the experience and narrative.
It would be unsurprising to see Making Waves used for educational purposes in film sound classes for years to come, but even your average film buff will enjoy it.
Sounds and vibrations undoubtedly shape the world as we know it, in turn capable of…
There is no question that audiences are frequently deprived of inspired sound design, but cinematic audio is evolving.
After its premiere at the Queens Short Film Festival, Film Inquiry’s Samantha Celentano got to speak to the writer and lead actor of Oatmeal, Martha Frances Williams, as well as the director Alessia Gatti.
A largely-overlooked but critical element in an action film is its ability to tell a story with sound. Dialogue and musical score notwithstanding, sound cues and effects are incredible tools for storytelling in the genre; subtly adding depth and detail without ever compromising action or hogging screen-time. Given recent advances in the field of sound technology, filmmakers are even now using these techniques to great advantage in crafting critically-acclaimed action films.
One of the most overlooked elements of the action genre is sound – more specifically, its use of sound cues to tell a story. However, this mode of storytelling is not only powerful by itself, but is especially suited to the needs of modern action films. Recent advances in sound technology now make it possible for action directors to put sound cues to their full use.
In the world of the action film, sound and its importance to storytelling are very often overlooked. Usually, it is an afterthought, a surprising enhancement of whatever happens to be on-screen: thus, BOOM.
German silent cinema of the 1920’s produced some of the most influential directors in the art of film making. Most directors and screenwriters working during this period were highly influenced by the German Expressionism art movement. Directors displayed Expressionism art in their films by presenting a distorted reality, which showed the inner turmoil of the characters.
This is the second and final part of our What Is Film Analysis article. Find the first part, on Narrative and Character, here. Production The giveaway of any bad production is the settings and costumes.
Closely approaching Quentin Tarantino’s new film The Hateful Eight arises expectations not only because of the name he has created for himself, but also because we are aware of the repeating pattern of collaborators in his films. But this piece is not about the cast of the film nor about Tarantino’s specific style. It is about the collaborators behind the scene, specifically on his first time collaboration with Ennio Morricone as a composer of the film’s original soundtrack.
The ‘Suspension Of Disbelief’ is an important factor in the consumption of art, any sort of art. Whenever we are presented with a vision of the fictional world our enjoyment of it rests on us deciding for one moment to accept it as realistic fact. For example, we all know a time-travelling DeLorean is frankly impossible, but if we were to spend the entire of Back To The Future considering how highly unlikely Marty’s adventure was, well, then we would not get swept into the story, and would certainly not enjoy ourselves as much.
From the tiniest blog to the inked pages of Empire magazine, society’s devotion to film coverage highlights just how deeply moving pictures resonate in modern culture. It’s why you’re here reading this very article right now. The finances back it up too.
In this installment of How to Analyze Movies we discuss the importance of lighting, sound and score, and how you should analyze them.
