sports
Kristy Strouse reviews the inspirational documentary Bethany Hamilton: Unstoppable that premiered at the Tribeca Film Festival and shares her interview with director Aaron Lieber and producers Penny Edmiston and Jane Kelly Kosek.
With energetic sports play, a respect for its story and characters, and a slightly heavier final takeaway, The Miracle Season rises above the pitfalls that many feel-good biopics often fall into.
For a studio whose storytelling style and command of visuals is so wonderfully inventive, in Early Man they’ve opted for the laziest, most obvious narrative trajectory imaginable, without even a winning sense of humour to back that up.
I, Tonya is a refreshingly dark comedy biopic about the famous 1994 Tonya Harding incident, and is laden with incredible performances.
Running in at just 15 minutes, Penalty’s unique style of cinematography and editing make it a powerful piece of cinema.
Emma Stone shines as tennis player Billie Jean King in Battle of the Sexes, which reminds us of how little progress we’ve made since the 70s.
Jay Baruchel steps behind the camera for cult sports comedy sequel Goon: Last Of The Enforcers, and forgets what makes the original special.
25 years later, director Penny Marshall’s A League Of Their Own remains that rare thing: a sports movie with female characters to look up to.
Russian sports documentary Make them Believe brilliantly uses the lofty dreams of a college wrestler to examine how we chase our goals.
Icarus is a somewhat messy if also interesting look at the doping practices in Russian sports, with a director who gets in over his head.
More Than a Word discusses and explores the Washington football team’s controversial name, casting new light on a longstanding issue.
There isn’t a single original narrative element in this inspirational drama- but the insight into post-WWII Estonian life is fascinating.
In this edition of the nominated film you may have missed series, we discuss the classic 1961 sports drama The Hustler, starring Paul Newman.
Filmed on a micro-budget, Anna Rose Holmer’s The Fits is a stunning debut feature, dealing with powerful themes of identity and gender.
Ice Guardians will broaden everyone’s view on the disparaged enforcers, framing itself as a plea to those who have sided against the bruisers without giving it much thought. After all, the lumbering men are just that, men, and Ice Guardians captures them and their role in all its complicated glory.