thriller
The Omen may be a film about the Anti-Christ, but it is also a film that looks at the ills of man, and the ability of evil to conquer good.
How to Blow Up a Pipeline addresses climate catastrophe from the perspective of a generation intimately and agonizingly familiar with its presence.
Film Inquiry spoke with Daniel Goldhaber, one of the most exciting filmmakers to be working in cinema recently!
If there was one theme running through the 2023 New African Film Festival, it was that of an increasingly desolate economic landscape.
There was a movie here but somewhere along the way it got buried in vitriol and forgot to be entertaining.
Stalker dared to be better than just, “good.” It was great and kept me guessing throughout the entirety of its 90-minute runtime.
In the fourth and final season of the Apple TV+ series “Servant,” the story concludes with a satisfying, gripping, and fitting finish.
The perfect sequel to a requel, Scream VI is love letter to horror, to a franchise and to its fans, proving that not all stories are dead.
Halloween Ends and the druid-focused Halloween: The Curse of Michael Myers bear more similarities than immediately expected.
Free Skate is an engaging character-driven drama that skates the edge of being a thriller as it progresses.
Initially, a terrific, tense, and brutal tale of class warfare, animalistic nature, and devastating consequences, over 2 1/2 hrs, it can’t sustain.
Rebroken has really good first and second acts, but somewhere along the way it loses its confidence.
While it had the potential to be something more, as it was, Wolf Garden tried to do too many things and never found a solid identity.
Cocaine Bear is funny, and full of plenty of laughs, shocks, and gore in its short runtime.
Away from the hype, Akira fares very, very well, remaining the Rosetta stone for so much sci-fi, body horror, and cyberpunk today.