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A Few Good Men remains one of the most beloved courtroom dramas of all time, and Rob Reiner’s heady legal classic is now 30 years old.
It is a well-made, multilayered murder mystery, whose appeal lies not only in its subversive story, but in its prescient ability to predict the future.
It’s been 15 years and Cloverfield is still coming up Clovers. If you like horror or monsters or just watching things go boom, this one is for you.
Nuanced and deeply layered, The Mist proves itself not only to be a well crafted horror, but an example of the true power of adaptations.
Violent Night is a worthy addition to the Christmas action-comedy lineup, but its sizable helping of blood and gore isn’t enough to make it truly stand out.
A horrific holiday horror, Pilgrim has all the trimmings – both the good and the bad.
The Silencing is an American thriller film from 2020 from Belgian director Robin Pront and starring Nikolaj Coster-Waldau.
This is a series that really elevates in its dialogue and writing, but is sold by amazing performances from Domhnall Gleeson and Steve Carell.
An impeccably crafted puzzle box of a film, Decision to Leave cements Park Chan-wook’s place in cinema as our modern master of suspense.
Unpredictable and unapologetically violent, Terrifier may seem like a B-horror, but it is far from it.
With a frightfully fun cast, a tight script, and a thematically relevant approach to its violence, Bodies Bodies Bodies is great slasher fun.
Hinterland’s high concept is let down by a weak script that doesn’t make the most of the film’s intriguing setting and talented cast.
The London Film Festival rolls on. Our latest review round-up covers stories of real life…
Strong performances, solid direction and a viscerally emotional story keep Next Sohee on the right side of melodrama.
Paul Schrader is a master storyteller, but with Master Gardener, even masters are capable of misfires.