thriller
Unpredictable and unapologetically violent, Terrifier may seem like a B-horror, but it is far from it.
With a frightfully fun cast, a tight script, and a thematically relevant approach to its violence, Bodies Bodies Bodies is great slasher fun.
Hinterland’s high concept is let down by a weak script that doesn’t make the most of the film’s intriguing setting and talented cast.
The London Film Festival rolls on. Our latest review round-up covers stories of real life…
Strong performances, solid direction and a viscerally emotional story keep Next Sohee on the right side of melodrama.
Paul Schrader is a master storyteller, but with Master Gardener, even masters are capable of misfires.
In our first report from the 2022 Heartland International FilmFestival we give you a taste of the festival!
With an awareness of its own ideas on self preservation and survival, Piggy excels.
Ahead of its time, Cat People may have a slow start, but it is rich in cinematic history and horrific craftsmanship.
Nothing seemed more fitting for the fall equinox than Fritz Kiersch’s adaptation of Stephen King’s classic Children of the Corn.
Don’t Worry Darling encourage passivity in their focus on the “seductiveness” of the material to the detriment of their politics.
Film Inquiry spoke with star Zar Amir Ebrahimi and writer/director Ali Abbasi for Holy Spider, a compelling crime thriller from this year’s TIFF!
While Don’t Worry Darling has some very good perks it ultimately tries to work with too many ideas without giving them one direction.
With her last TIFF report, Kristy Strouse covers two Midnight Madness flicks!
Missing retains the feeling of a J-horror, slowly building the intensity of its mystery while examining the potential compassion and deliverance of death.