thriller

THE OUTSIDER (S1E1,2) "Fish In A Barrel" & "Roanoke": Not Your Ordinary Stephen King Story
THE OUTSIDER (S1E1,2) “Fish In A Barrel” & “Roanoke”: Not Your Ordinary Stephen King Story

With no monsters to summon, The Outsider is not your ordinary Stephen King adaptation, death and faulty humans the true focus. Don’t be left out of HBO’s latest obsession.

Barry W. Levy & Helenna Santos Take Aim At The Multiverse With THE SHASTA TRIANGLE
Barry W. Levy & Helenna Santos Take Aim At The Multiverse With THE SHASTA TRIANGLE

Director Barry W. Levy and co-writer, co-producer and star Helenna Santos of The Shasta Triangle spoke to Film Inquiry about their new film, and the current world of low-budget, independent filmmaking.

CODE 8: Where Superpowers In Cinema Take A Left Curve
CODE 8: Where Superpowers In Cinema Take A Left Curve

Code 8 is exhilarating, gruesome, and touching, and its unique premise may very well be appreciated across genres.

TIFF 19: Beautiful Traitors in Assayas' WASP NETWORK
WASP NETWORK: Assayas’ Spy Thriller Bites Off More Than It Can Chew

Wasp Network’s bites off far more than it can chew, there’s no denying this all-star cast makes up for what is lost in plot.

BLACK CHRISTMAS: Smashes The Patriarchy With Strong Women
BLACK CHRISTMAS: Smashes The Patriarchy With Strong Women

Black Christmas is angry, terrifying, empowering even – all that surrounded with the threatening notes of holiday songs playing in the background and a stalker out to get you.

LECTION: A Poorly Paced Post-Apocalyptic Political Thriller
LECTION: A Poorly Paced Post-Apocalyptic Political Thriller

Lection has potential to be a thriller with political undertones, but feels more like a basic metaphorical statement thrown over the top of a slow-paced film.

THE GOOD LIAR: Lies & Deceit Can't Cover Up The Mess At The Center Of This Misfire
THE GOOD LIAR: Lies & Deceit Can’t Cover Up The Mess At The Center Of This Misfire

The Good Liar features great performances from Ian McKellen and Helen Mirren, but the film can’t overcome other problems. Chris Cassingham reviews.

I SEE YOU: A Film With A Twist Or Two — Or Three
I SEE YOU: A Film With A Twist Or Two – Or Three

I See You is a well-crafted head-scratcher even if it doesn’t seem so at first.

THE WOLF HOUR: The Insanity Within Art
THE WOLF HOUR: The Insanity Within Art

While the film may lose a few along the way due to its drawn out pace, many will find themselves enthralled with what The Wolf Hour has to offer.

RADIOFLASH: Thrillers Should Have Thrills, Right?

Not even the great acting of Brighton Sharbino or Will Patton can save Radioflash from its middling existence.

The Intensity Of Indie Horror In DANIEL ISN'T REAL: Interview With Director Adam Egypt Mortimer
The Intensity Of Indie Horror In DANIEL ISN’T REAL: Interview With Director Adam Egypt Mortimer

Michael Frank spoke with writer and director Adam Egypt Mortimer about the mental health, childhood and inspiration for his film Daniel Isn’t Real.

KNIVES OUT: Rian Johnson's Suspenseful Lampoon of the 1%
KNIVES OUT: Rian Johnson’s Suspenseful Lampoon Of The 1%

For all its faults, Knives Out is a brisk and often engaging film that will provide audiences a moderately enjoyable ride.

Animal Among Us: The Real Monster Was Boredom All Along
ANIMAL AMONG US: The Real Monster Was Boredom All Along

Generic in all the worst ways, Animal Among Us is poorly executed, feeling like a throwback to the worst of mid 2000’s horror.

THE END OF THE F***ING WORLD SEASON 2: A F***ing Solemn But Inessential Addition
THE END OF THE F***ING WORLD SEASON 2: A F***ing Solemn But Inessential Addition

Not as impactful or satisfying as its daring predecessor, The End of the F***ing World is not the end of the world, but it’s not a crucial send-off either.

EARTHQUAKE BIRD: Psychological Thriller Starts Off Strong But Veers Off Balance

Earthquake Bird is likely to be but a blip in the filmography of both its stars and director.