thriller
The Art Of Self-Defense is a dark, sharp and poignant take on the current gender roles and expectations in society.
Ladyworld manages to capture the perfect balance between the moments of tension and uneasiness with moments of teenage life.
Andrew Stover spoke with director Mark Schwab about his LGBT thriller Crisis Hotline, his experiences behind the piece, his artistic drive and who inspires him.
Sometimes simple is all you need to make a fun movie, and with its quintessential man vs. nature thriller, we need more simple movies like Crawl.
While Luz has all of the trappings of a horror film of yesteryear, it is clear that Tilman Singer is an exciting new filmmaker to watch.
With an uninspired script and meaningless dialogue to fill space, Cold Blood is lifeless from the opening moments, failing to live up an action movie or thriller.
Anna just isn’t quite the fun thrill ride that one might have hoped for, suffering from a disorganized plot, characters devoid of personality, and less-than-stellar action.
Annabelle Comes Home features great performances from its young cast, but the story is more a miss than a hit. Kevin Lee reviews.
Dark is still a time-traveling minefield, provoking characters to coast through time, evolve and alter their original impulses.
While it’s a hard watch, Too Old To Die Young is Nicolas Winding Refn’s finest work – a series to be savoured, mulled over and discovered again and again.
Too Old To Die Young might be exhausting, but both of these episodes with their shocks and new emotional layers are incredibly rewarding to watch.
Too Old To Die Young is an exhausting watch, we can only assume there will be a big reward at the end for us loyal viewers.
We spoke with Morocco Vaughn, a Chicagoan filmmaker whose directorial debut Mollywood has just been released to digital and on-demand.
The Refuge keeps patient viewers hooked and film lovers invested by maintaining a harsh and eye-catching atmosphere and storytelling angle.