thriller
Gustav Möller’s The Guilty is compact but crushing single-room drama successfully secures our emotional and visceral involvement whilst quite boldly moving into some genuinely dark areas.
Climax is an oddly boring affair, that shows Gaspar Noe has little of substance to offer when divorced from more offensive subject matter.
We spoke with Jordan Hinson, best known for her portrayal of Zoe Carter on the…
Disappointingly, Peppermint is a film that feels thrown together, poorly edited and overly clichéd, with a failed take on the female vigilante.
Paul Feig’s latest, A Simple Favor, sees him unshackle himself from his comedy ties – unfortunately, the result is a subpar Gone Girl wannabe.
With a minimal budget, Mara will satisfy an audience that enjoys jitters, with just enough scares that as you leave the theatre you might dread your next bout of sleep paralysis.
Let the Corpses Tan is an exhilarating and original work of wild genius that we’ve come to expect from directors Hélène Cattet and Bruno Forzani.
The Toybox rises above being completely predictable with some interesting cinematic choices, and the decision to be unapologetically gruesome.
We were able to talk with Colin Minihan and Brittany Allen, the director and star of the thriller What Keeps You Alive.
Castle Rock ended on par with a season filled with mysteries, concluding a story filled with intriguing Stephen King lore.
Ozark’s sophomore season lives up to both critic and viewer expectations with a complex web of storylines and characters intricately placed to be the visual chess board TV has been waiting for.
If you need to take a break from reading about all of the acclaimed films you’re missing out on seeing at all of fall’s prestigious film festivals, go ahead and watch Final Score.
The Angel applies a straightforward template devoid of innovation or complications feeling far too standard for such an unconventional story.
Replete with unnatural dialogue and emotionally manipulative plot developments, Bel Canto may well go down in cinematic history as the most boring hostage drama of all time.
In this report from Western Australia’s CinefestOz, we cover everything from budget sci-fi to LGBTQ documentaries.