United States
Bottoms is like a walk-through tour of a museum for high school comedies. It’s familiar, and nothing but fun.
From filming style to a twisty narrative structure, “Saw” is a film that not only bore a franchise but has retained itself as a true horror classic.
The GameStop short-squeeze of 2021 is dramatized in the rough and messy but ultimately entertaining “Dumb Money.”
Hell of a Summer is a campy blast of a film, blending the nostalgia of 80s camp slashers with coming-of-age teen comedies.
Ultimately, Top: Gun Maverick preserves the atmosphere of a timeless era and places it in the modern-day, harnessing an infectious energy.
Stories about college professors are popular at this year’s Toronto International Film Festival, with both Hit Man and Dream Scenario being examples.
Unfortunately, every single second that came before the ending in Alice & Jack was terrible.
A Haunting in Venice is a new direction, going for something more creepily claustrophobic, but doesn’t quite nail the landing.
For this Toronto International Film Festival, Wilson Kwong reviews the Critic and Humanist Vampire Seeking Consenting Suicidal Person.
The uber-formalistic approach of The Zone of Interest may strike some as unfeeling and morally empty, but it’s an authentic film.
Love At First Sight does retain a predictable nature, but by the film’s end, you will want the predictability.
What better way to infuse a rom-com than with the unconditional and irresistible love of dogs? That’s what Puppy Love seeks to do.
There’s a lot of hard work under the hood of Gran Turismo that narrowly crosses the finish line of a compelling racing film.
If you like horror or mystery or just like to be kept guessing, then this is a movie that you’re going to need to see.
While Haunting of the Queen Mary may struggle to find its sea legs, it culminates into an epic voyage of terror and twists.