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Will You Be My Witness? proves to be an enjoyable slice of entertainment with a deeper message, suitable for all fans of the pop performer.
Surprisingly, Saw VI seems to have learned from previous entries; with a plot of its own, it manages to be the stand out of the franchise.
Our Souls at Night an important reminder that there are still plenty of stories worth telling in the twilight years of one’s life.
While not as memorable as other spy-thrillers, American Assassin is entertaining and solid enough with high intensity and relentless action.
Premiering back in 2004, Saw is a landmark horror film, launching a multitude of sequels in addition to an entire sub-genre of horror.
Rebel in the Rye is interesting when looked at from a writer’s perspective, but unfortunately doesn’t work as a cohesive biopic.
The Mountain Between Us, a tale of two strangers (and a charming dog) who find…
Emma Stone shines as tennis player Billie Jean King in Battle of the Sexes, which reminds us of how little progress we’ve made since the 70s.
Walking Out, by the Smith twins, is an unrelenting and beautifully shot story of a father and son surviving in the brutal Montana wilderness.
Jay Baruchel steps behind the camera for cult sports comedy sequel Goon: Last Of The Enforcers, and forgets what makes the original special.
Flatliners is a terrible remake of an already bad movie, whose basis is genuinely interesting but the vision poorly conceived.
War Dogs is a hyper-masculine film that, offensively but not surprisingly, uses its main female character simply as a plot device.
Mike Flanagan’s Gerald’s Game, though not quite as dark as its source material, still showcases his talent for immersive horror film-making.
We analyze some of the interpretations of Twin Peaks: The Return, the dreamlike sequel series to David Lynch’s early ’90s TV show.
How might a predominately white community wield its power to dismiss a black life? The documentary Strong Island offers unsettling answers.