United States
Though Rules Don’t Apply is beautifully shot and contains a tender romance, the two stories of the film collide, making it an uneven venture.
A documentary about the famous murder case, Casting JonBenet combines interviews with reenacted footage in an unconventionally effective way.
Overstuffed, generic, and with poorly executed CGI action, The Fate of the Furious is nothing more than another franchise crowd-pleaser.
While The Promise has lofty aspirations and a flimsy base, it proves too thin and drab to be truly gripping.
The Discovery dabbles in too many genres and never makes a compelling case for any of them, resulting in yet another lackluster Netflix film.
Blue Jay weaves in and out of beautifully written scenes, with a minimalist visual style focusing solely on the performances and the interactions.
With The Devil’s Candy, provocative Australian director Sean Byrne proves he is one of the best genre filmmakers working today.
Otto Bell’s documentary The Eagle Huntress is empowering – even if it does frequently feel staged or exaggerated for dramatic effect.
The stale found footage genre is revitalised with ambitious anthology film The Dark Tapes, a stunning directorial debut from Michael McQuown.
Sometimes, Forever is a stylish, incisive look at teenage sexuality, and though it’s set in the ’90s, it does much to speak to our own time.
At times brimming with invention and at other moments leaving you confused as to who this is for, Nine Lives doesn’t fully deliver.
Going in Style from Zach Braff is a forgettable film that stumbles through genres while seemingly wasting its timeless cast.
Gifted is grounded and gritty, on a mission to make you laugh, make you cry, make you root for the good guys while booing for the bad.
As one of his final curtain calls, Limelight is a sterling reminder of Charlie Chaplin’s contributions to culture and the art of cinema.
Wilson is as gleefully profane and heart-wrenchingly tragic film, that lives up to its creator’s legacy as a storyteller.