United States
A bloodbath cleverly executed through its gore, narrative and technical execution, Malignant is the horror film of the year, one that promises a terrifying and demented edge-of-your-seat experience from start to finish.
The Wheel, Steve Pink’s latest directorial venture, sees him zeroing in on a young couple and their messy, crumbling marriage.
We Need to Do Something is a cringeworthy experience providing audiences a graphic examination of abuse coupled with the intricate craftsmanship of horror.
Despite some predictable plotlines, it doesn’t take away from the quality, experience, and entertainment The Uninvited promises to its audience.
With extremely long scenes, flat lighting, and a meandering story all come together to create this dull, Best Day Ever is a tired movie.
While the notoriety of Ted Bundy may live on in infamy, Ted Bundy: American Boogeyman will not.
Beautifully filmed, Coast is a film you will find just coasting through the motions.
The Night House is a kaleidoscope of creaks and whispers, playing with anticipation and stretching it as far as it can go.
From stunning performances all around, Coda is perfection from start to finish, keeping audiences engaged through humor, heart and genuine craftsmanship.
The Suicide Squad is a magnificent blend of gore, heart, and humor that engages its audience instantly with strong performances, and breathtaking visuals.
The chemistry between Bogart and Bacall and Howard Hawks’ storytelling have turned The Big Sleep into a lasting classic.
Barley even a movie, Longhorns is just terrible, lacking any redemption – and there really isn’t that much else to say.
Homeroom is empowering and it is inspiring, bringing a fresh perspective to the events of 2020 and to the future.
While it is less gory, especially in the film’s conclusion, it leaves a twist and an ending that speaks to the possibility of more films to come.
Not everyone will be won over by the weirdness of Annette, but for those who are, they will absolutely love it.