United States
“Young Woman and the Sea” proves it could be a serviceable movie but not strong enough to escape the routine assembly of the genre’s trappings.
Michael Chang was a pioneer among Asian Americans in professional sports, and he did it at such a young age.
She Came Back is a well-crafted horror film that leverages powerhouse performances and exceptional storytelling to create a memorable experience.
Trap is a movie seemingly gift-wrapped for greatness that eventually crumbles under its own logic.
Based on Ernie Pyle’s WWII dispatches and directed by William A. Wellman, The Story of G.I Joe, is a testament to the foot soldier.
The Instigators evokes the Boston movies of yore like a Dunkin’ drinkin’ Ghost of Christmas Past.
While Twisters is pretty much exactly what you’d expect, it will warmly invite you into its merry world of meteorologists and storm chasers.
Forty-five years after Alien, cat people finally have a new horror movie with Michael Sarnoski’s “A Quiet Place: Day One.”
Part boxing movie, part familial drama, Bang Bang is further proof of Vincent Grashaw’s directorial expertise and a showcase for Tim Blake Nelson’s talent.
Viva is told by an indie woman director whose mise-en-scene and script pay tribute to classic musicals.
Overall, Longlegs is well-directed, artistically apt, and really, really suspenseful.
When I think of epic and intimate storytelling in animation, I think of The Lion King (1994).
The prevailing refrain of Thelma is how it supersedes expectations in all manner of ways.
Family Portrait captures the underlying sense of menace seeping into the monotony of everyday life that characterized the early days of the pandemic.
It has a lot of charm and it’s refreshing to see something playing by its own rules and not following a rigid formula.