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For this Horrific Inquiry we take a look back at Friday the 13th, Part II!
While Subservience knows how to deploy its star, it still can’t fully live up to the promise of this meta-premise or her talents as a performer.
Both TIFF films yearn to be more than what they actually are, but alas, gets stranded in a middle ground of mediocrity.
For his first report from Toronto International Film Festival, Wilson Kwong looks at two films based on true events.
Look Into My Eyes, the new documentary, looks at another way many people seek connection: appointments with psychic mediums.
The Melbourne International Film Festival is in its 72nd year with a program of global features, shorts, documentaries, VR experiences, and classic movies.
I’ll Be Right There showcases family drama and how, within that drama, there can be something to laugh and feel good about.
The Becomers politely reminds us that being a human is fundamentally weird–– and yes, being a human in 2020 was especially weird.
Ever as before, once “Romulus” gets underway, they encounter Facehuggers, Xenomorphs, and their mission devolves into a fight for survival.
Sunny had a striking opportunity to tackle a growing reality, but it only gets part of the way there before reverting to genre mechanisms.
Rialto Pictures is distributing a 4K restoration of The Conversation in honor of the 50th anniversary of its original theatrical release.
“Young Woman and the Sea” proves it could be a serviceable movie but not strong enough to escape the routine assembly of the genre’s trappings.
Michael Chang was a pioneer among Asian Americans in professional sports, and he did it at such a young age.
She Came Back is a well-crafted horror film that leverages powerhouse performances and exceptional storytelling to create a memorable experience.
Trap is a movie seemingly gift-wrapped for greatness that eventually crumbles under its own logic.