United States
1917 is a vision of uninterrupted chaos, equipped with a unique blend of personal pathos and visual bravado.
Thanks to its talented and charismatic leads, The Kaminsky Method overcomes any lack of forward narrative momentum.
The Plagiarists is peculiar, fairly self-reflexive, and laced with grueling yet equally as rewarding ambiguity that comes from the artists’ seat.
In a world that seems more divisive and hopeless everyday, A Beautiful Day In The Neighborhood is a beautiful film that anyone and everyone could and should see.
While it does suffer from a few hiccups along the way, it finds its strength in its source material and its characters, cast and crew.
For all its faults, Knives Out is a brisk and often engaging film that will provide audiences a moderately enjoyable ride.
Generic in all the worst ways, Animal Among Us is poorly executed, feeling like a throwback to the worst of mid 2000’s horror.
The Gallows Act II is full of bad jump scares, laughable dialogue and is never very scary. Kevin Lee reviews.
Earthquake Bird is likely to be but a blip in the filmography of both its stars and director.
Klaus captures the old fashioned wonder of Christmas within the old fashioned splendor of traditional animation.
Between bad dialogue, acting that feels as undeveloped as the characters, and an unfocused story, it’s no wonder Midway feels like a drag.
While the tone, look and disturbing special effects will enthrall audiences in the beginning, Daniel Isn’t Real misses the mark in its third act.
A transformative adaptation, American Son may not be a groundbreaking piece of filmmaking, but that’s not what it was meant to be either.
With the talent both behind the camera and in front of it, one would expect more thank a glorified Hallmark film from Last Christmas.
Charlie’s Angels is an uneven movie, but the joy of watching Stewart, Scott, and Balinska relish the lighthearted fun overpowers any shortcomings.