United States
Criterion’s new 4K Ultra HD Blu-Ray is the best Trainspotting has ever looked and sounded on home video format and is the definitive way of viewing.
Dad Jokes leaves us excited for Welch’s future in comedy, and the potential for a new chapter in her comedic journey.
While those looking for genuine chills should certainly seek them elsewhere, this movie is batting at a surprisingly high level.
Household Saints is a strange yet satisfying brew of family drama and spiritual contemplation that deserves the broader audience it has been denied.
With holiday season underway, Charles E. Sellier’s Silent Night, Deadly Night was the perfect way to usher in the spirit on this Horrific Inquiry.
Die Hard is not a film that just occurs during the holiday season, but rather because of it.
Wish is a Disney film with many Disney stuff but rarely features any of that Disney magic, reminding the audience of far better films.
Love Actually is as heartwarming as it is quotable – the experience of love and joy a permanent staple each and every year.
Scrooged skillfully blends a cocktail of valuable lessons and infectious laughter, ensuring its place as a memorable addition to the holiday film canon.
A Creature Was Stirring feels as though it has something deeper to say, but never seems to find the cohesion and narrative direction to say it.
Poolman might not be for everyone, but for those of us who want to see a Chinatown-loving himbo finding himself in his own mystery, this is a worthy comedy.
“Pain Hustlers” is a decent film that is entertaining enough, yet it is met with the brutal truth of a pain fatigue within the industry.
Welcome back to the scariest, and at times goriest, column here at Film Inquiry: Horrific Inquiry.…
Despite positive feedback from the press, The Nice Guys went overlooked by the public, sadly tanking at the box office. It’s time to fix that problem.