United States
A Creature Was Stirring feels as though it has something deeper to say, but never seems to find the cohesion and narrative direction to say it.
Poolman might not be for everyone, but for those of us who want to see a Chinatown-loving himbo finding himself in his own mystery, this is a worthy comedy.
“Pain Hustlers” is a decent film that is entertaining enough, yet it is met with the brutal truth of a pain fatigue within the industry.
Welcome back to the scariest, and at times goriest, column here at Film Inquiry: Horrific Inquiry.…
Despite positive feedback from the press, The Nice Guys went overlooked by the public, sadly tanking at the box office. It’s time to fix that problem.
Napoleon feels a lot like its titular character: loudly ambitious to a fault, and it can’t make up its mind on what to be.
Courtney Gets Possessed will bind you to its celluloid core, delivering one of the most fun and entertaining possessions the devil has to offer.
An investigation of fame, virality, and public visibility in general, Dream Scenario deftly balances the mundane, the surreal, and blisteringly unpleasant.
Killers of the Flower Moon showcases everything one would expect in a Martin Scorsese movie. In this case, it is both a blessing and a curse.
Good Omens season two is truly beautiful in every sense of the word and is an absolute must-watch.
Where The Devil Roams is a beautiful and grotesque rock and roll anthem that slays.
Divinity, written and directed by Eddie Alcazar, is a compelling sci-fi body horror, even though…
It’s a Wonderful Knife embraces its premise with blood-soaked snow, candy cane stab wounds, and cheery Christmas tunes.
In the end, Firefly is full of not only wit, style and imagination, but a burning compassion for its characters, along with their individual differences.
The only real scare is that given Five Nights at Freddy’s runaway success, the sequel it so brazenly teases at its conclusion will certainly come to be.