Vera Farmiga
Without Gandolfini, without any sort of revelation, we’re left with a movie that sort of resembles The Sopranos but feels more like a cheap knock off.
The Conjuring: The Devil Made Me Do It is a different breed of horror, but is still just as beautiful and engaging.
Paranormal investigators Ed and Lorraine Warren try to uncover the truth behind a murderer’s claim of demonic possession.
Annabelle Comes Home features great performances from its young cast, but the story is more a miss than a hit. Kevin Lee reviews.
Determined to keep Annabelle from wreaking more havoc, demonologists Ed and Lorraine Warren bring the possessed doll to the locked artifacts room in their home.
Godzilla: King of the Monsters, from start to finish, is evidence that Dougherty loves Godzilla, but the action staged on-screen is far from perfect.
With a premise filled with potential and talent both in front of and behind the screen, Captive State is an unfortunate disappointment.
When the USA is safely within the next Democratic term of office, expect The Front Runner to be looked back upon more fondly; it’s mightily enjoyable political entertainment.
Nearly a decade after an occupation by an extra-terrestrial force, Captive State explores the lives on both sides of the conflict.
Godzilla: King of the Monsters is the next chapter in the cinematic MonsterVerse, which pits Godzilla against some of the most popular monsters in pop culture history.
Amid the rubble that is The Commuter, there is an entertaining enough film to provide respite during the Winter blues, just don’t expect too much.
After a brief hiatus with Fast and Furious 7, mainstream horror’s prodigal son James Wan has returned to the Devil’s Church of Jump Scares with a sequel to his paranormal blockbuster, The Conjuring. The main lesson he seems to have learned on his franchise-hopping action excursion is how to make things feel absolutely massive, and in following the golden rule of sequels, he’s applied that bigger-is-better ethos to The Conjuring 2. The ghostbusting duo of the first film – Ed and Lorraine Warren – are called to London to flush out some more housebound demons, but in an effort to raise the stakes over the first film, Lorraine is also faced with her own adversaries:
I’ve never really understood the law. That, however, never stopped me from drooping inquisitively over courtroom dramas. With my rediscovery of A Few Good Men on TV a few months ago, this sub-genre managed to spark some affection in my geeky wonderland of a mind.
