women directors
Lacking substance or exploration of themes, The Bad Batch is a pointless post-apocalyptic, psychedelic trip to nowhere-land.
Talya Lavie’s Zero Motivation is simultaneously funny, serious, sentimental, sarcastic, slapstick, and totally unique.
Landline’s Gillian Robespierre & Jenny Slate understand that female characters can do unlikable things while still earning our empathy.
Pariah is essential in the African American LGBTQ artistic and cinematic canon, as well as an achievement in cinematic storytelling.
The feminist undertones, stunning performances,cinematography and costuming more than make up for The Beguiled’s shallow story line.
There’s a way, many ways, actually, to make a satisfying film about a lighthearted romp, but Paris Can Wait never finds any of these paths.
The characters in her films don’t say much, but Claire Denis still manages to create worlds where communication arrives in other forms.
Rough Night starts weak- but with a decent amount of laughs and a deconstruction of gender tropes, it soon becomes a breath of fresh air.
Megan Leavey’s delivers a good story, almost making up for its lack of focus and unwillingness to commit to its main storyline.
Editor in Chief Manon de Reeper is attending Los Angeles Film Festival and saw Moko Jumbie & Mighty Ground – here’s her report.
Everything, Everything follows Maddy, who has spent her entire life confined to her home due to an illness, but falls for the boy next door.
Jenkins, Gadot and company all worked admirably to bring the first Wonder Woman film out in a grand, exciting way, and that work has not gone to waste.
Old Enough is an affectionately accurate depiction of how it feels to grow into an age when the opinions of friends are all that matters.
Stefan Zweig: Farewell To Europe is a fine display of craftsmanship, but it’s far too infatuated with its own beauty to engage on the level to which it aspires.
Wakefield is an introspective and interesting examination into a man who willingly decides to isolate himself from his family and the world.