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We were able to talk with Deborah Haywood, writer and director of the film about bullying called Pin Cushion.
Willow Polson, creator of Vintage America with Ginger, talks to FI’s Jacqui Blue about her creative process and upcoming projects.
We were able to talk to Matthew Ross, writer and director of the upcoming crime thriller Siberia about his brief but prolific filmmaking career, working with Keanu Reeves, and more.
Tommy Wiseau and Greg Sestero are back with a new movie, and we spoke with Sestero about the process of making a new, original feature 15 years after The Room.
We spoke with Andrew Fleming, writer/director of IDEAL HOME, about reuniting with Coogan, the current state of the film and TV industries, and more!
We got to speak with Joanne Mitchell, the creator and star of the outrageous horror-comedy Attack of the Adult Babies.
Alex Arabian spoke with T Cooper, writer and director of the documentary Man Made, which focuses on the subject of trans men bodybuilding.
Thanks to the funny and occasionally moving performances of Gould and Clement and a confident feature film debut from Hoffman, Humor Me qualifies as a passable entry into the midlife crisis sub-genre.
In this retrospective guide, we examine the work of recently deceased filmmaker Isao Takahata, one of the pioneers of Studio Ghibli.
Watching Claire’s Camera feels like watching a film being made right in front of you with director Hong laying bare his cinematic style in that he doesn’t know where he’s taking us, but he’s just as interested to find out.
After years as a struggling actress, Ana Asensio decided to try get her own project off the ground. A year after it’s SXSW premiere, and her film, MOST BEAUTIFUL ISLAND, has endured a wave of acclaim. She spoke to Andrew Winter about the process of producing, directing and starring in the film.
Despite some promising moments, The Vanishing of Sidney Hall never quite reaches the level of its ambition, ultimately fading in the background amongst more prominent films about the art of writing.
We were able to talk with James Fanizza; writer, director, producer and star of the film Sebastian, now available to rent and buy digitally and on DVD.
Paperback is a romantic comedy, which isn’t terribly funny or romantic, falling flat because it is trying to make you root for the terrible parts of its main character.
Alexander Payne’s films are diverse yet also share similar directorial trademarks, including the focus on middle-aged, neurotic protagonists, loss of a loved one, existential crises, and more; here is a rundown of his more than two decades in the industry.