The Bar is a predictable story that constantly betrays its established characters in order to service the cynical narrative.
Win It All carries mumblecore’s characteristic diversions, seemingly innocuous quirks, and has a few unexpected narrative twists.
Film Inquiry writer Julia Smith had a chance to check out the Wales International Documentary Festival; here is an account of her experiences.
Affluent youth, vanity, obsession, and the archest kind of humor define the trailer for Ingrid Goes West, a satire of today’s social media fascination and the culture it objectifies.
In this new series, Robb Sheppard looks back on films he hated in the past to give them a second chance. In the first episode: Fincher’s ZODIAC.
In this edition of the nominated film you may have missed series, we discuss the classic 1961 sports drama The Hustler, starring Paul Newman.
Three Billboards Outside Ebbing, Missouri is an upcoming film about a mother who confronts local police after the murder of her daughter.
Stephanie Archer reports on her time during Tribeca Film Festival 2017, and on day 3 reviews a few short films she got to see.
The Fallen Idol is a fascinating look at adultery through the eyes of an innocent child, and has had a long-standing legacy as a result.
Though captured beautifully, Somewhere Beautiful suffers from an unfocused script and rushed direction by Albert Kodagolian.
Partly autobiographical, Counting for Thunder is a film that sometimes works, but mostly fails in its attempt to blend both drama and comedy.
The Other Half is a balanced portrait of not only a tangible and tender romance, but of a subject so little-seen in film; mental illness.
I Called Him Morgan is a riveting look at jazz trumpeter Lee Morgan, examining his life, his music, and his impact on those who knew him.
Despite its poor rap of recent years, parody a rich genre with great gems. In this Beginner’s Guide we consider its history and current status.