Renny Harlin is one of cinema’s great workhorses — a constantly dependable, and occasionally remarkable carpenter of sturdy entertainment.
Although it can feel a little bit by the numbers, Bull is lifted by the excellent performances and the unflinching violence which underscores its premise.
Dopesick’s “Whistleblower” is an impactful episode, dedicated to bringing this dramatic recreation to life to draw empathy and understanding.
In using the medium of melodrama for Parallel Mothers to convey such a message, Almodóvar has given us one of his best films in years.
This week, Jesse is joined by Inside the Film Room’s Johnny Sobczak to discuss all things Dune.
Returning to the tension that made the first two episodes a success, I Know What You Did Last Summer leave viewers with its first cliffhanger.
The picture follows a young woman serving privileged guests at a dinner party in a remote house in rural Wales, not realizing they are about to eat their last supper.
In the first Animation Sensation, Dallas Marshall reviews Wizards, that while flawed, is worth checking out just for its audaciousness alone.
The warped claustrophobia of Masking Threshold is wholly original, making it one of the best horror films of the year.
Trick ‘r Treat lives up to its reputation taking the traditions of the holiday and wielding them into a horrific tale of lore, murder, and revenge.
Our coverage of the 2021 New York Film Festival concludes with looks at Jane By Charlotte, Haruhara-San’s Recorder, and Hester Street.
Dune is a fine adaptation that works on the basic levels of storytelling and entertainment that Hollywood builds its backbone on.
Episodes 3 & 4 are not bad, but they are certainly not the best, losing much of the steam and identity the first two episodes worked so hard to generate.