Labyrinth of Cinema tells an empathetic and energetic story about the power of cinema to change the world — one that we would all do well to take in.
We spoke with actor Reed Birney about the tragedy of his character, the emotional catharsis of Mass, and the individual perspective of grief.
House on Haunted Hill is a classic in its own right, exhibiting the ability for horror to remain timeless.
An engaging episode, Dopesick episode four is going to have you coming back for more – no matter how heartbreaking.
CJ Hunt’s The Neutral Ground explores the political opposition and the debate surrounding Confederate statues across the US.
Twenty-five years after the original series of murders in Woodsboro, a new killer emerges, and Sidney Prescott must return to uncover the truth.
In the final report from London Film Festival, Paddy Wilson and Faisal Al-Jadir review King Richard, Lamb, Little Palestine and Mothering Sunday.
For a first-time director, Kempff had a very stylistically sharp vision for Knocking which is bogged down by an overly meandering tone.
This week, Hunter Heilman joins Jesse to discuss two of the latest new releases.
The Riddler plays a dangerous game of cat and mouse with Batman and Commissioner Gordon in Gotham City.
In a final report from HIFF 2021, Emily Wheeler reviews The Power of the Dog, King Richard, Poser and Alien on Stage!
David Gordon Green’s sequel to Halloween, Halloween Kills, is an aggravating, unnecessary, and horribly misguided feature.
To celebrate their “New Waves” program, Film Inquiry sat down with Turner Classic Movies host Alicia Malone to discuss all things cinema.
In this week’s Queerly Ever After, we take a look at 2011’s What Happens Next, a romantic comedy where the romance outpaces the comedy.
Emily Wheeler’s coverage of the 2021 Heartland Film Festival continues with looks at The Humans, Cow, What Josiah Saw, and No Straight Lines.