When one looks beyond the immediate novelty of the film’s title, one is taken aback by how dull and derivative Yakuza Princess actually is.
This week, Jesse and Hunter Heilman discuss the newest reimagining of Candyman.
A woman adjusting to life after a loss contends with a feisty bird that’s taken over her garden — and a husband who’s struggling to find a way forward.
Despite some predictable plotlines, it doesn’t take away from the quality, experience, and entertainment The Uninvited promises to its audience.
The D’Innocenzo Brothers’ latest film, Favolacce, is a suburban apocalypse that is bleak and confounding, for better and for worse.
Film Inquiry presents Blindspots with Jake and Kristy. In this new podcast series, Film Inquiry…
Despite a familiarity with Johnson’s isolated world, Leah Purcell’s passion for The Drover’s Wife ultimately does her directing debut a massive disservice.
Film Inquiry spoke with writers/directors John Adams, Zelda Adams & Toby Poser for their newest film, Hellbender.
With extremely long scenes, flat lighting, and a meandering story all come together to create this dull, Best Day Ever is a tired movie.
Our friendly neighborhood hero is unmasked and no longer able to separate his normal life from the high-stakes of being a Super Hero.
Energetic and creative, no matter how you quantify it, Beyond the Infinite Two Minutes is a whole lot of fun.
Film Inquiry spoke with director Amber Sealey for her new film No Man of God.
Hellbender create its own stamp on the subgenre with a twisting, trippy and complex mother/daughter relationship that is certain to leave a lasting mark.
Reporting from the 2021 Locarno Film Festival, Monique Vigneault looks at Soul of a Beast, 100 Minutes, The Girl and the Spider Mask and Il Legionario!
Reporting back from MIFF 2021, Sean Fallon reviews Come Back Anytime, Set!, Stray, Ablaze and The Witches of the Orient!